Vietnam was to be a photographer’s conflict. A familiar tread for many struggling artist, photographer, or bohemian was the offices of the Associated Press in Saigon, where the legendary photo editor Horst Faas held court. Among many who came to Faas in 1966 was a petite 21-year old French girl named Cathy LeRoy. Defying her factory-manager father, she worked 18 hours a day as an interviewer in a Paris employment agency to save for a one-way ticket to Saigon. She only carried $200 and a Leica M2. Faas gave her three rolls of black and white film and assurances to give her $15 for each picture used.
The U.S. Army was skeptical of LeRoy at first. She didn’t speak English (apart from four-letter words she would soon pick up from the Marines); she was 5ft, 85-pounds, comically carried cameras and equipment close to her bodyweight, and trundled around with size-6 combat boots too big for her size-4 feet. She was also soon be banned from the frontline for six months for cussing a senior officer. But she spent more time at the front — three weeks a month — than any other woman journalist in Vietnam, and a year later, she became the first accredited journalist to participate in a combat parachute jump, joining the 173rd Airborne Brigade.
Her pictures from Vietnam were stunning. Her photos from Battle of Hill 881 evoked “ghosts of Iwo Jima and Pork Chop Hill,” Time magazine wrote in May 1967. Her photos of corpsman Vernon Wike during the battle was a triptych of an all-too-familiar scene: in the first, Wike has two hands on his friend’s chest, trying to staunch the wound; in the second, he tries to find a heartbeat; in the third frame, “Corpsman In Anguish”, he realized the man is dead.
LeRoy herself came very close to death two weeks later. Her Nikon barely stopped a piece of mortar shrapnel that ripped open her chest. She said that she thought the last words she would ever hear were, “I think she’s dead, sarge.” During the Tet offensive in 1968, LeRoy was briefly captured by the North Vietnamese during the battle for Hue. LeRoy’s photos of her captivity later made the cover of Life, ‘A Remarkable Day in Hue: the Enemy Lets Me Take His Picture‘. She was the first person to take photos of North Vietnamese Army Regulars behind their lines.
In 1972, Leroy shot and directed Operation Last Patrol, a film about Ron Kovic and the anti-war Vietnam veterans. She was in Beirut during the Israeli siege of the city in 1982. Her pictures there were equally poignant. LeRoy died in 2006.
9 thoughts on “Corpsman In Anguish | Cathy LeRoy”
Thanks for that one. I’d never heard of her. Now I head off to learn more.
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[…] Estas fotografías de Capa justamente se alejan de muchas de sus más dramáticas fotografías en blanco y negro realizadas durante los distintos conflictos bélicos en los que estuvo presente hasta su muerte en Indochina. Pero desgraciadamente, no fue el único que consiguió fotos de las que son consideradas iconos del siglo XX en tiempos de conflicto. Y una de las series más notables fue la que tomó la fotógrafa Cathy LeRoy, una joven fotógrafa francesa de sólo 21 años en 1966 cuando se dirigió a Vietnam. Pero a pesar de los problemas que se encontró, consiguió fotografías notables, y las más célebres las de la batalla de la colina 881, como nos cuentan en Iconic Photos. […]
Reblogged this on Hey Sweetheart, Get Me Rewrite! and commented:
Oh, there are those corpsemen that the eloquent Barry Soetero spoke about. He’s so smart, the smartest man in any room he says, in all 57 states. LOL.
She was on the hospital ship USS Sanctuary when I was wounded. She received first class treatment from the crew. She was treated as though she was an officer. She received special treatment.. I don’t like war junkies. I question this story. There was no front line in Viet Nam. Fancy story
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