Alfred Krupp

“By exaggerating or minimizing his subjects’ surroundings, [Arnold Newman] crafted impressionistic gems… that suggested his sitters’ personalities,” wrote TIME magazine. He did, and the above photo, not notable in itself, is a product of such a mind.

Armanents manufacturer Alfred Krupp who alledgedly used slave labour to make weapons for the Nazis, contacted the famous Newman for a portrait in 1963. Upon finding out that Newman was a Jew, Krupp refused to let him make the photograph. Newman insisted to have Krupp look at his portfolio before making a final decision and after seeing Newman’s portfolio Krupp accepted. So on July 6, 1963, the industrialist and the auteur went into a delict factory in Essen which belonged to Krupp, where Newman decided to make Krupp look as evil as possible under the eerie demonic lighting of the factory.

When Krupp first saw the portrait he was livid. Newman was more tongue-in-cheek:  “As a Jew, it’s my own little moment of revenge.”

Igor Stravinsky


Arnold Newman created many of the 20th centuries’ famous portraits. His lens captured everyone from the writers and artists to presidents, tyrants and kings in the pictures which reflect the sitters’ personalities. 

His black and white portrait of Igor Stravinsky seated at a grand piano became his signature image, even though it was rejected by the magazine that gave the assignment to Newman. Taken during a rehearsal in New York (December 1, 1946), the image juxtaposes Stravinsky with the piano, and together they form the shape of a musical note.