It was the year that the European powers bestowed independence on their last colonies, and Robert Lebeck was traveling in Africa for three months as a photographer for Hamburg magazine Kristall.
From the moment that the Belgium King Baudouin landed at Léopoldville Airport on 30th June 1960 to usher the transformation of Belgium Congo into an independent Republic, it was clear that the royal visit was a public relations disaster. As the king and the would-be president Joseph Kasa-Vubu drove along the boulevard in an open car, on the way into Leopoldville from the airport, an exuberant nationalist pressed close to his open limousine, grabbed the King’s sword from beside him, and flourished it above his head before the police could move in and pommel him away.
Lebeck was the only photographer who recorded the scene–the symbol of the decline of the power of the white man and the harbinger of the surreal chaos into which the country would soon descend. Lebeck was not with the other journalists in the front of the car because he had came late, having been enjoying dessert in a good Belgian restaurant earlier. His magazine, Kristall, defined the swordsnatcher as Joseph Kalonda, although this name was thought to be a common Congolese placeholder, an African ‘John Doe’.