Posts Tagged ‘Paris’
The upheavals of 1968, which at its peak sent eleven million Frenchmen and women into the streets began quite mundanely in Nanterre, the dreary Parisian suburb which was slowly evolving into a demimonde of student radicals, drug-sellers, and squatters.
The demonstrations began after an eviction of a squatter and disciplinary measures against a student Daniel Cohn-Bendit that January. The latter had provoked a minister visiting to open a new sports hall by asking why the Education Ministry was doing nothing to address “‘sexual problems” in the universities (his demand was that boys and girls should be able to sleep together). The Minister suggested that if Cohn-Bendit had sexual problems, he should jump into the new swimming pool. ‘That is what the Hitler Youth used to pay’, replied the part-German Cohn-Bendit.
Gradually, with further demonstrations, attacks, and arrests, a movement was formed with Cohn-Bendit among its its leaders. When the Nantrerre campus was finally closed down, the movement shifted to the central Paris, a revolution unfolded through the historic boulevards of Left Bank. Here, in front of the Sorbonne, Dany le Rouge as he became known, more for his flaming hair than for his politics which were more anarchist than communist was photographed confronted the riot police with an elfin grin.
The photo by Gilles Caron (who had just returned from Biafra) was just one among many iconic photos from that May. Enormously telegenic, politically-savvy, and articulate were the student leaders, all conspicuously male. In photos and newsreels, girls could be seen on the shoulders of their boyfriends, but as historian Tony Judt put it, ‘they were at best the auxiliary foot soldiers of the student army’.
For all psychological impact it would later claim, the events of May 1968 were far from pivotal. The movement mimicked the style and the props of revolutions past, but their demands never strayed from their parochial beginnings, and unlike earlier tumults, no senior official of the state nor its institutions were assaulted or denounced. No students were killed, perhaps telling sign in a country where its army mainly composed of provincial lads was all too happy to crack a few heads in such a Club Med affair. The French Communists, which awaited its moment from the sidelines, delivered the movement’s eulogy, “This was a party, not a revolution”.
As for the man who started all this, Daniel Cohn-Bendit was expelled from France that May, and went on to become a respected politician in Frankfurt, and eventually a Green Party representative for the European parliament.
Eugène Atget (1857-1927) who documented the Parisian street life in the 1890s and the 1900s foreshadowed many street photojournalists of the 20th century. During the sleepy hours of the morning or night, Atget portrayed cobblestone courtyards, public-squares, parks, shop-fronts and buildings with a flair and a style that would transform plain documentary photography into high art. Even though Atget’s storefront images are devoid of people, there are unmistakable human qualities about them, and they captured the very essence of the Belle Epoque.
Although he also left behind street portraits of tradesmen (whose images he took for money), Atget devoted his energies to desolate public squares and winding back alleys. He inspired many Cubist and Surrealist painters, and influenced Alfred Hitchcock, Fritz Lang, Leni Riefenstahl and Irving Penn. Meeting Atget shortly before his death, American photographer Berenice Abbott was so inspired that she purchased his estate and spent the next 50 years popularizing Atget’s work.
Eugene Atget’s Un Coin, Rue de Seine is one of his most reproduced images. It is thought to be made in 1924, to document the street before the building in the centre was demolished. Atget rarely dated his prints, relying on arcane, but self-evident system of numbering negatives. This led to one of the most frustrating obstacles in analyzing his work.