Iconic Photos

Famous, Infamous and Iconic Photos

Johnny Cash’s Finger

with 33 comments

johnny-cash-finger-2

As he grew old, Johnny Cash came to resent the Nashville country-music establishment, which all but abandoned him and the other aging “country” artists who had defined the genre to embrace new pop-oriented country artists like Garth Brooks. His late album Unchained (1996) was virtually ignored by the establishment.

However, the album won a Grammy for Best Country Album. Cash and his producers American Recordings posted an advertisement in Billboard Magazine with the above image as a ”thank you” to the Nashville country music industry after winning the award. The infamous photo of Cash giving the middle finger to the camera was taken back in 1969 during his San Quentin prison performance.

A tireless advocate for the prison reform, Cash began performing concerts at various prisons starting in the late 1960s, leading to two highly successful live albums, Johnny Cash at Folsom Prison (1968) and Johnny Cash at San Quentin (1969). In the latter prison, when Cash performed his prison song “San Quentin” (“I hate every inch of you/May you rot and burn in hell/May your walls fall and may I live to tell”), he nearly caused an uprising. The definitive, iconoclastic image made its way into Cash’s Hollywood biopic, Walk the Line, but the gesture was actually shot during a rehearsal session toward the annoying cameraman, the concert’s official photographer Jim Marshall.

Written by Alex Selwyn-Holmes

August 22, 2009 at 6:53 am

33 Responses

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  1. funny lol

    rafaele

    January 21, 2010 at 3:46 pm

  2. tel:95849301231123

    freederickks

    May 20, 2010 at 4:52 pm

  3. [...] a New York street, concert-goers queuing outside The Matrix, Jefferson Airplane cover Volunteers, Johnny Cash showing his middle finger at San Quentin prison, and double portraits that brought together Joplin and her rival Grace [...]

  4. [...] this, except for this hillbilly ass-hat. (God, I hate him. He’s the opposite of funny. Git THIS done, motherfucker.) I love Eddie Izzard. (I got to see him in Philly. Well worth the money.) I even [...]

  5. FUCKING A

    rondu

    July 30, 2010 at 1:37 am

  6. [...] I see this fellow once each week playing Johnny Cash cover tunes. When I asked him if I could take his portrait, he flipped me off. Not until later did his gesture register with me. [...]

  7. [...] Johnny Cash “flipping the bird” at Jim Marshall’s camera during a soundcheck in San Quentin prison to Robert [...]

  8. [...] Johnny Cash “flipping the bird” at Jim Marshall’s camera during a soundcheck in San Quentin prison to Robert [...]

  9. [...] Johnny Cash “flipping the bird” at Jim Marshall’s camera during a soundcheck in San Quentin prison to Robert [...]

  10. [...] Johnny Cash “flipping the bird” at Jim Marshall’s camera during a soundcheck in San Quentin prison to Robert [...]

  11. [...] Johnny Cash “flipping the bird” at Jim Marshall’s camera during a soundcheck in San Quentin prison to Robert [...]

  12. [...] From Johnny Cash “flipping the bird” at Jim Marshall’s camera during a soundcheck in San Quentin prison to Robert Mapplethorpe’s portrait of an androgynous Patti Smith in white shirt and braces on the cover of Horses, and the late Amy Winehouse posing provocatively in bed on her wedding day, photography has often spoken louder than words when it comes to enshrining a performer in the public eye. [...]

  13. [...] tunes. When I asked him if I could take his portrait, he flipped me off. Not until later did his gesture register with [...]

  14. [...] see this fellow once each week playing Johnny Cash cover tunes. When I asked him if I could take his portrait, he flipped me off. Not until later did his [...]

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    jcodelamadera

    March 4, 2012 at 8:25 am

  18. [...] Johnny Cash “flipping the bird” at Jim Marshall’s camera during a soundcheck in San Quentin prison to Robert [...]

  19. Very good article. I certainly appreciate this site. Thanks!

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    Suriyannie

    May 19, 2012 at 5:21 pm

  21. [...] changers. Now, sure, the middle finger ending isn’t necessarily beautiful expression. But when Johnny Cash did it, we labeled him an icon of the everyman struggle, so why is it any different for these [...]

    Labels Lie: Be You

    July 19, 2012 at 1:57 pm

  22. [...] changers. Now, sure, the middle finger ending isn’t necessarily beautiful expression. But when Johnny Cash did it, we labeled him an icon of the everyman struggle, so why is it any different for these [...]

  23. I am grateful for this information

    Bad Cash

    December 11, 2012 at 7:44 pm

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  25. [...] Bon, à l’époque, il suffisait d’adresser un fuck bien senti à un photographe et de se foutre de la tête de cette midinette d’Elvis pour être catalogué comme [...]

  26. [...] disrespect to Johnny, but we gotta say we prefer Ernest Tubb’s rendition of “Folsom Prison Blues.” [...]

  27. [...] I’m not sure what the world would do without the Guy Who Thinks He Can Fix Our Lives in 5 Minutes. Overweight people would simply go about their lives, blissfully unaware that they are disgusting and probably going to die soon. Women might walk down the street unbeknownst that they are dressed like sluts. Coworkers might have to do their jobs normally, without a helpful mansplainer nearby to constantly watch over their shoulder. Wherever you go, you’re just making sure that the people around you can benefit from your expertise. And for that, on behalf of all of us, I salute you. [...]

  28. [...] I’m not sure what the world would do without the Guy Who Thinks He Can Fix Our Lives in Five Minutes. Overweight people would simply go about their day, blissfully unaware that they are disgusting and probably going to die soon. Women might walk down the street without realizing that they are dressed like sluts. Coworkers might have to do their jobs normally, without a helpful mansplainer nearby to constantly watch over their shoulder. Wherever you go, you’re just making sure that the people around you can benefit from your expertise. And for that, on behalf of all of us,I salute you. [...]

  29. [...] Wherever you go, you’re just making sure that the people around you can benefit from your expertise. And for that, on behalf of all of us, I Salute You. [...]

  30. [...] But I don’t think its so much an issue of masculine and feminine as a rejection of traditional values. For most, I think it’s simply adapting & conforming to the expectations of a society that’s lost its moorings. The way I see it, I don’t like what society has become and so I reject modern values and standards with both middle fingers. At least one, anyway. [...]

  31. [...] towards failure. The story of the image is told by Alex Selwyn-Holmes on his interesting website Iconic Photos. After the quote is a 1959 video of Johnny Cash playing Folsom Prison [...]

  32. [...] photo was taken by Jim Marshall, who is a very well-known music photographer, while touring with Johnny [...]


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